Microwave wavelength range : Microwavable bowls
Microwave Wavelength Range
- The distance between successive crests of a wave, esp. points in a sound wave or electromagnetic wave
- A person's ideas and way of thinking, esp. as it affects their ability to communicate with others
- the distance (measured in the direction of propagation) between two points in the same phase in consecutive cycles of a wave
- This distance as a distinctive feature of radio waves from a transmitter
- a shared orientation leading to mutual understanding; "they are on the same wavelength"
- In physics, the wavelength of a sinusoidal wave is the spatial period of the wave – the distance over which the wave's shape repeats.
- a short electromagnetic wave (longer than infrared but shorter than radio waves); used for radar and microwave ovens and for transmitting telephone, facsimile, video and data
- cook or heat in a microwave oven; "You can microwave the leftovers"
- kitchen appliance that cooks food by passing an electromagnetic wave through it; heat results from the absorption of energy by the water molecules in the food
- An electromagnetic wave with a wavelength in the range 0.001–0.3 m, shorter than that of a normal radio wave but longer than those of infrared radiation. Microwaves are used in radar, in communications, and for heating in microwave ovens and in various industrial processes
- change or be different within limits; "Estimates for the losses in the earthquake range as high as $2 billion"; "Interest rates run from 5 to 10 percent"; "The instruments ranged from tuba to cymbals"; "My students range from very bright to dull"
- A set of different things of the same general type
- roll: move about aimlessly or without any destination, often in search of food or employment; "The gypsies roamed the woods"; "roving vagabonds"; "the wandering Jew"; "The cattle roam across the prairie"; "the laborers drift from one town to the next"; "They rolled from town to town"
- scope: an area in which something acts or operates or has power or control: "the range of a supersonic jet"; "a piano has a greater range than the human voice"; "the ambit of municipal legislation"; "within the compass of this article"; "within the scope of an investigation"; "outside the reach
- The area of variation between upper and lower limits on a particular scale
- The scope of a person's knowledge or abilities
D-TAR Wave-Length Pickup System
The D-TAR Wave-Length combines a thin, piezo under-saddle transducer with an 18v, low-noise, high input impedance preamp, to create a pickup system with twice the dynamic range of typical 9v systems. The 18v preamp is powered by two AA batteries. With 18 volts, your signal has more headroom, so hard strumming won't distort as easily. The Wave-Length preamp also has an input for a second source, like a magnetic pickup or a soundboard transducer.Two adjustable trim pots, one low frequency shelving and one high frequency shelving, allow you to fine tune and set and forget the bass and treble frequencies to optimize the Wave-Length pickup and preamp for your instrument's size and shape; enabling you to transparently amplify the natural timbre of your acoustic guitar with minimal coloration. D-TAR includes a 1/4 " jack (jack 6,35) and detailed installation instructions with the Wave-Length undersaddle pickup and preamp.D-TAR - Duncan/Turner Acoustic ResearchSeymour Duncan and Rick Turner are two legends who spent years working with musicians, perfecting their tone. Seymour founded his self-named company in 1978 which has become well-known for its wide variety of guitar and bass pickups used by just about every name player from Billie Joe Armstrong to Angus Young. Rick co-founded Alembic, was president of Gibson Labs West Coast R&D Division, co-founded Highlander Musical Audio making piezo acoustic guitar pickups for Lindsay Buckingham, Ry Cooder, David Lindley, and Andy Summers, and runs his own Renaissance Guitars. Now Seymour and Rick are working together to create innovative products for acoustic musicians. Their D-TAR motto: "With respect to acoustic tone."
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Wavelength Skipper
Our first trip to the Great Barrier Reef was with Wavelength. This is the skipper steering the boat with his feet. We had just set out at 8:30 am. The weather was just awesome, and we head out to Opal Reef.
Wavelength
at the Opening Session of the GaETC in Atlanta
Keynote Presentation
Wavelength
"A Funny Thing Happened Leaving No Child Behind"
microwave wavelength range
26 Major Avant Garde Films Never Before on Home Video! 27 artists from Bruce Baillie to Andy Warhol who worked outside the mainstream and redefined American cinema are collected in this stunning, five-hour set sampling an array of film types and styles. An array of film styles from animation to documentary are showcased in this collection of classics and rediscoveries, selected from five of the nation's foremost avant-garde film archives.
Featured Films include: "Here I Am" (Bruce Baillie), "Aleph" (Wallace Berman), "The Riddle of Lumen" (Stan Brakhage), "Eyewash" (Robert Breer), "Bridges-Go-Round" (Shirley Clarke), "By Night with Torch and Spear" (Joseph Cornell), "Peyote Queen" (Storm De Hirsch), "(nostalgia" (Hollis Frampton), "Fog Line" (Larry Gottheim), "Litlte Stabs at Happiness" (Ken Jacobs), "Hamfat Asar" (Lawrence Jordan), "I, an Actress (George Kuchar), "New Improved Institutional Quality" (Owen Land), "Necrology" (Standish Lawder), "Note to Patti" (Saul Levine), "The End" (Christopher Maclaine), "Notes on the Circus" (Jonas Mekas), "Go! Go! Go!" (Marie Menken), "The Off-Handed Jape... and How to Pull It Off" (Robert Nelson & William T. Wiley), "7362" (Pat O'Neill), "Chumlum" (Ron Rice), "Bad Burns" (Paul Sharits), "Odds & Ends" (Jane Conger Belson Shimane), "Film No. 3: Interwoven" (Chick Strand), "Mario Banana (No. 1)" (Andy Warhol)
Featuring newly recorded music by John Zorn, a 70-page book of program notes with a forward by Martin Scorsese, more than 200 interactive screens, and 2 postcards from the films.
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